58th National Film Awards
தேசிய விருது பெறும் தென்மேற்குப் பருவக் காற்று & ஆடுகளம் திரைப்பட குழுவினருக்கும்.
சரண்யாபொன்வண்ணன், தனுஷ், வெற்றிமாறன், கவிப்பேரரசு வைரமுத்து, சாபுசிரில், தம்பி ராமையா, நடன இயக்குனர் தினேஷ் என்று விருது பெற்ற கலைஞர்களுக்கும் எனது வாழ்த்துக்கள்.
   
                                                
(Release ID :72204)
சரண்யாபொன்வண்ணன், தனுஷ், வெற்றிமாறன், கவிப்பேரரசு வைரமுத்து, சாபுசிரில், தம்பி ராமையா, நடன இயக்குனர் தினேஷ் என்று விருது பெற்ற கலைஞர்களுக்கும் எனது வாழ்த்துக்கள்.
 National Film Awards Announced 
                               58th National Film Awards were announced here today. Prior to announcing the awards the jury members met Information & Broadcasting Minister Smt. Ambika Soni and submitted her the list of awardees. Feature Films jury was headed by Shri J.P. Dutta, Non-Feature Films jury was headed by Shri A.K. Bir and Best Writing on Cinema jury was headed by Shri Ashok Vajpeyi. 
58th NATIONAL FILM AWARDS FOR 2010
FEATURE FILMS
| S. No.  | Name of Award | Name of Film | Awardee | Medal &   Cash Prize | Citation | ||
| 1 | BEST FEATURE FILM   | Adaminte   Makan Abu (Malayalam) | Producer:   Salim   Ahamed Director   : Salim   Ahamed | Swarna   Kamal Rs   2,50,000/- Each | For   a simple yet evocative articulation of humanist values that frees matters of   faith from the constrictions of narrow parochialism. The concerns of Abu, son   of Adam, are timeless and universal in their scope. | ||
| 2 | INDIRA GANDHI AWARD FOR   BEST DEBUT FILM OF A DIRECTOR   | Baboo   Band Baaja (Marathi) | Producer: Nita Jadhav Director : Rajesh Pinjani | Swarna   Kamal Rs   1,25,000/- Each | For   a riveting tale of a father reluctant to educate his son, a mother who   fiercely believes in its liberatory value, and the son who is caught in the   crossfire, ‘Baboo’ is an outstanding debut project by director. | ||
| 3 | AWARD FOR BEST   POPULAR FILM PROVIDING WHOLESOME ENTERTAINMENT  | Dabangg   (Hindi) | Producer: Arbaaz Khan, Malaika Arora Khan & Dhilin   Mehta Director : Abhinav Singh Kashyap | Swarna   Kamal Rs   2,00,000/- Each | Answers   the need of cinegoers for entertainment rooted in Indian soil.  | ||
| 4 | NARGIS DUTT   AWARD FOR BEST FEATURE FILM ON NATIONAL INTEGRATION | Moner   Manush (Bengali) | Producer: Gautam Kundu Director : Goutam Ghose | Rajat  Kamal Rs   1,50,000/- Each | For   celebrating the union of the human spirit through the life and song of Sufi   poets in the Baul tradition. | ||
| 5 | BEST FILM ON   SOCIAL ISSUES  | Champions (Marathi) | Producer: Aishwarya Narkar Director : Ramesh More | Rajat  Kamal Rs   1,50,000/- Each | In   a world of deprivation, the thirst for an education surpasses the hunger for   food amongst two young brothers fending for each other and their mother. | ||
| 6 | BEST FILM ON   ENVIRONMENT CONSERVATION/PRESERVATION | Bettada   Jeeva (Kannada) | Producer: Basantkumar Patil Director : P. Sheshadri | Rajat   Kamal Rs   1,50,000/- Each  | An   old couple steeped in the soil of their environment yearn for the return of   their son while nurturing the growth of their young plantation against all   odds. | ||
| 7 | BEST CHILDREN’S FILM  | Hejjegalu (Kannada) | Producer: Basantkumar Patil Director : P.R. Ramadas Naidu |  Swarna Kamal Rs   1,50,000/- Each  | A   little girl cheerfully takes on the challenge to preserve the fabric of her   family. | ||
| 8 | BEST DIRECTION | Aadukalam   (Tamil) | Vetrimaran | Swarna   Kamal Rs   2,50,000/-  | For   a gritty tale of love, jealousy and betrayal in the midst of bloodsport and violence,   in the manner of realistic cinema. | ||
| 9 | BEST ACTOR  | Aadukalam   (Tamil)  Adaminte Makan Abu (Malayalam) | Dhanush   Salim Kumar | Rajat  Kamal Rs   50,000/-  (sHARING) | Two   riveting performances that fuse character and actor into one: To   Dhanush for the raw, nuanced portrayal of a cocky young man who learns   lessons about life the hard way. To   Salim for a deep, restrained performance of a simple man with an unshakeable   belief in his quest for salvation. | ||
| 10 | BEST ACTRESS  | Baboo   Band Baaja (Marathi) Thenmerkku   Paruvakkatru (Tamil) | Mitalee Jagtap Varadkar Saranya Ponvannan | Rajat  Kamal Rs   50,000/-  (sHARING) | The   picture of two mothers whose concern for bettering the lives of their   children in the face of untold hardship: As   a mother who strives to realise through her son her dreams of a better   future. As   a fiercely combative single mother who shields her son to the point of   sacrifice. | ||
| 11 | BEST SUPPORTING ACTOR  | Mynaa   (Tamil) | J. Thambi Ramaiah | Rajat  Kamal Rs   50,000/- | For   a heart-warming performance as a policeman who discovers his humanity in the   process of capturing an escaped fugitive. | ||
| 12 | BEST SUPPORTING ACTRESS | Namma   Gramam (Tamil) | Sukumari | Rajat  Kamal  Rs   50,000/-  | For   a sensitive portrayal of an aged widow who challenges orthodoxy when   restrictions are placed upon her widowed granddaughter. | ||
| 13 | BEST CHILD ARTIST  | I   am Kalam (Hindi) Champions   (Marathi) Baboo   Band Baaja (Marathi) | 1. Harsh Mayar 2. Shantanu Ranganekar &  3. Machindra Gadkar 4. Vivek Chabukswar | Rajat  Kamal Rs   50,000/- (sHARING) |  Four actors for expressing   with charm and heartbreak the world of the child: For   performing with bright, shining eyes   and an urchin smile, the razor sharp   spirit of a survivor who dreams of   excelling. For   two brothers bonded by blood  and   responsibility battling for survival in   the underbelly of a heartless city.  For   capturing the indomitable spirit of a   young village boy who is hungry to learn   in an environment that closes  all   doors on him. | ||
| 14 | BEST MALE PLAYBACK SINGER  | Mee   Sindhutai Sapkal (Marathi) | Suresh Wadkar | Rajat  Kamal  Rs   50,000/-  | For   rendering soulful lyrics in a resonant voice soaked in emotion with a purity   of musical expression and spiritual empathy. | ||
| 15 | BEST FEMALE PLAYBACK SINGER | Ishqiya   (Hindi) | Rekha Bhardwaj | Rajat  Kamal Rs   50,000/- | For   a sensual and evocative rendering of a heart longing for the beloved. | ||
| 16 | BEST CINEMATOGRAPHY  | Adaminte   Makan Abu (Malayalam) | Cameraman :  Madhu Ambat | Rajat  Kamal Rs   50,000/- | For   the visual poetry that augments and reinforces the concern of the narrative   and for unfolding the infinite vistas of nascent digital technology in the   visual medium. | ||
| 17 | BEST SCREENPLAY  | Aadukalam   (Tamil) Mee   Sindhutai Sapkal (Marathi) Mee   Sindhutai Sapkal (Marathi) | Screenplay Writer  (Original) :  Vetrimaran Screenplay Writer (Adapted) :  Anant Mahadevan & Sanjay Pawar Dialogues : Sanjay Pawar | Rajat  Kamal Rs   50,000/-  Rajat  Kamal Rs   50,000/- Rajat  Kamal Rs   50,000/- |  For its kaleidoscopic variety that uses   realism, tradition and contemporaneity, soaked in local flavour on an   infinite canvas. For retaining the concerns and values of a   biographical account while translating it into the cinematic medium and   honouring the essence of the original. For bringing to life the textures of various   characters through articulating their emotion and thought process. | ||
| 18 | BEST AUDIOGRAPHY  | Ishqiya   (Hindi) Chitrasutram   (Malayalam) Ishqiya   (Hindi) | Location Sound Recordist : Kaamod Kharade Sound Designer : Subhadeep Sengupta Re-recordist of the final mixed track   :  Debajit Changmai | Rajat  Kamal  Rs   50,000/- each | For   capturing the soft nuances and variations of the artists’ voices and location   ambience in a sensorial manner. For   the use of various sound effects along with existing ambience to impart a   subliminal experience in this abstract work. For   merging voices, location ambience, background music and other sound effects   to create a near-tactile experience that is both real and artistic. | ||
| 19 | BEST EDITING   | Aadukalam   (Tamil) | T.E. Kishore | Rajat  Kamal Rs   50,000/- | For   the subliminal impact created by the use of montage so as to bring to the   fore thematic concerns of the narrative in a holistic manner. | ||
| 20 | BEST PRODUCTION DESIGN  | Enthiran   (Tamil) | Sabu Cyril | Rajat  Kamal  Rs   50,000/- | For   the style and finesse realised in the creation of a set design that is   coherent with the futuristic visual style of the narrative. | ||
| 21 | BEST COSTUME DESIGNER  | Namma   Gramam (Tamil) | Indrans   Jayan | Rajat  Kamal Rs   50,000/- | For   realising effectively the texture of a period in the history of modern India   through miniscule attention to detailing. | ||
| 22 | BEST MAKE-UP ARTIST  | Moner   Manush (Bengali) | Vikram Gaikwad | Rajat  Kamal  Rs   50,000/- | For   the admirable detailing and remarkable consistency achieved in the etching of   the characters across an extensive time span. | ||
| 23 | BEST    MUSIC DIRECTION  | Ishqiya   (Hindi) Adaminte   Makan Abu (Malayalam) | Music Director (Songs) : Vishal Bhardwaj Music Director (Background Score) : Issak Thomas   Kottakapally | Rajat  Kamal Rs   50,000/- each | For   blending rustic flavour with the Indian classical tradition. For minimalistic use of appropriate background   score to nurture the essence of the narrative. | ||
| 24 | BEST LYRICS  | Thenmerkku   Paruvakkatru (Tamil) | Vairamuthu | Rajat  Kamal Rs   50,000/- | For giving a meaningful expression to the   narrative through contextual amplification of the emotion. | ||
| 25 | SPECIAL JURY AWARD  | Mee   Sindhutai Sapkal (Marathi) | Producer: Bindiya & Sachin Khanolkar Director : Anant Narayan Mahadevan | Rajat  Kamal Rs   2,00,000/- | For   a powerful cinematic presentation of an epic journey of a living character,   an abandoned woman who refused to become a victim and in the process not only   transformed her own life but also the lives of many others. | ||
| 26 | BEST SPECIAL EFFECTS  | Enthiran   (Tamil) | V. Srinivas M Mohan | Rajat  Kamal  Rs   50,000/- | For   bringing of age a spectrum of visual special effects in Indian cinema and   creating a space for the practitioners of this art form on the global map. | ||
| 27 | BEST CHOREOGRAPHY  | Aadukalam   (Tamil) | Dinesh Kumar | Rajat  Kamal Rs   50,000/- | For   the native charm and innovative design in the art of choreography that   creates an effervescent energy in the spectator. | ||
| BEST FEATURE   FILM IN EACH OF THE LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE   CONSTITUTION  | |||||||
| 28 |  BEST ASSAMESE FILM  | Jetuka   Patar Dare | Producer: Md. Noorul Sultan Director : Jadumoni Dutta | Rajat  Kamal Rs   1,00,000/- Each | For   a heart-warming portrayal of the rural landscape with an emphasis on the need   for self-reliance in the process of development. | ||
| 29 |  BEST BENGALI FILM  | Ami   Aadu | Producer: New Theatres Pvt. Ltd Director : Sonmath Gupta | Rajat  Kamal Rs   1,00,000/- Each | For   the subtle portrayal of an endearing love story in the time of cultural   conflicts. It is a sincere attempt to present the personal tragedy of the   emigrant commoner caught in the crossfire of international wars. | ||
| 30 | BEST HINDI FILM  | Do   Dooni Char | Producer: Arindam Chaudhuri Director :  Habib Faisal | Rajat  Kamal  Rs   1,00,000/- Each | For an entertaining narrative that brings to the   fore the struggle of a school teacher who is torn between maintaining his   integrity and the lure of a little more comfort. | ||
| 31 | BEST KANNADA  | Puttakkana   Highway | Producer: Shylaja Nag & Prakash Raj Director :  B. Suresha | Rajat  Kamal Rs   1,00,000/- Each | For a persuasive articulation of a topical social   issue where in the name of development, land is appropriated and people are   displaced as a consequence. | ||
| 32 | BEST MALAYALAM FILM  | Veettilekkulla   Vazhi | Producer: B.C. Joshi Director : Dr Biju | Rajat  Kamal Rs   1,00,000/- Each | For narrating the story of a doctor who overcomes   personal loss to journey through an unfamiliar landscape to fulfil a promise   to a dying mother and in the process finds a personal salvation.  | ||
| 33 | BEST MARATHI FILM  | Mala   Aai Vhhaychay | Producer: Samruddhi Porey Director : Samruddhi Porey | Rajat  Kamal Rs   1,00,000/- Each | For an emotional presentation of the story of a   surrogate mother who is torn between love and sacrifice for the child. | ||
| 34 | BEST TAMIL FILM   | Thenmerkku   Paruvakkatru | Producer: Shibu Isaac Director : Seenu Ramasamy | Rajat  Kamal Rs   1,00,000/- Each | For an emotive articulation of the combative   spirit of a mother for whom her son’s happiness is paramount.   | ||
| 35 | BEST ENGLISH FILM   | Memories   in March | Producer: Shrikant Mohta Director : Sanjoy Nag | Rajat  Kamal Rs   1,00,000/- Each | For the effective exploration of a bereaved   mother’s coming to terms with the fact of her son’s sexual identity. | ||
| 36 | SPECIAL MENTION | Bettada   Jeeva (Kannada) Aadukalam   (Tamil) | Late Shivaram Karanth V.I.S. Jayaraman | Certificate   only Certificate   only | For   an industry that has steadfastly refused to acknowledge and reward its   creative fountainhead – the creator of its stories – the citation   acknowledges a literary giant, the late Dr. Shivaram Karanth. The citation   also acknowledges his valuable association with the world of Indian cinema. With   a face carved out of teak and leather, the patriarch of a cock-fighting clan   stands like a colossus, even when he feels his power and authority ebbing   through his fingers. | ||
58th NATIONAL FILM AWARDS FOR 2010
NON- FEATURE FILMS
| S. No.  | Name of Award | Name of Film | Awardee | Medal & Cash Prize | Citation | 
| 1 | BEST   NON-FEATURE FILM   | Germ  (Hindi) | Producer:    Satyajit   Ray Film & Television Institute, Kolkata Director   :  Snehal   R. Nair | Swarna   Kamal Rs   1,50,000/- each | Through   abstract visualization and endearing black & white tones, the film   depicts the human existence, afflicted by cancer, in a very sublime and   somber tone. Along with the perception and growth, from child to youth and by   the curious collection of thrown passport photographs, the film maker   presents the changing perspective of the vision of the modern growing world   in a very engaging manner.  | 
| 2 | BEST   DEBUT NON-FEATURE FILM OF A DIRECTOR | Pistulya   (Marathi   & Telugu) | Producer:    Nagraj   Manjule Director   :  Nagraj   Manjule | RAJAT  Kamal Rs   75,000/- each | It   is a delightful exposition of the poignant life of a poverty-stricken child,   who nurtures a dream of embracing the source of learning through education,   with simplicity and fluency. The director portrays the spirit of adventure of   the child, through fine performances.  | 
| 3 | BEST   ETHNOGRAPHIC FILM | Songs   of Mashangva (Tangkhul,   Manipuri & English) | Producer:    Oinam   Doren Director   :  Oinam   Doren | RAJAT  Kamal Rs   50,000/- each | An insightful foray into the complex and layered   life of a ‘song’ and all that it carries within it for a community. It   inquires into the shared critical history of a community in the specific   context of an overarching missionary presence and how it has affected their   lives. The jury appreciates it for the courageous, yet poetic exploration of   the subject from the ethnographic perspective. | 
| 4 | BEST   BIOGRAPHICAL FILM | Nilamadhaba (English) | Producer:    Films   Division Director   :  Dilip   Patnaik | RAJAT  Kamal Rs   50,000/- each | An intimate portrayal of the inimitable Sunanda   Pattanaik, whose life is inseparable from contemporary Indian classical   music. The film explores the inner spirit of the artist through evocative   moments, pregnant with visual passages. | 
| 5 | BEST   ARTS and CULTURE FILM | Leaving   Home (English   & Hindi) | Producer:    Jaideep   Varma Director   :  Jaideep   Varma | RAJAT  Kamal Rs   50,000/- each | It   is an emotive and enthralling exposition of the passion and dedication of a   group, bound by the spirit of music, who transcend the commercial boundary to   embrace their original creative flair. Without compromising, the group led to   the adventure with courage and guts. The film maker has journeyed through   this adventure with dramatic sensibility and compassion.  | 
| 6 | BEST   SCIENCE & TECHNOLOGY FILM | Heart   to Heart (Manipuri   & English)  | Producer:    Rotary   Club of Imphal Director   :  Bachaspatimayum   Sunzu | RAJAT  Kamal Rs   50,000/- each | A   very well constructed reality with an engaging dramatic sensibility, that   depicts the grimness of natural health maladies. It guides the viewer through   emotions and playful spirit of the child. With the help of medical science,   it enlightens the viewer with awareness of Congenital Heart Defect and its   promising treatment. | 
| 7 | BEST   PROMOTIONAL FILM  | Ek   Ropa Dhan (Hindi) | Producer:   Meghnath Bhattacharjee Director   :  Biju   Toppo and Meghnath Bhattacharjee | RAJAT  Kamal Rs   50,000/- each | A succinct and well researched film looking   closely at an innovation applied effectively in the farming of rice. The film   engages successfully with the issue and makes a strong case for the promotion   of the practice called Ek Ropa Dhan. | 
| 8 | BEST ENVIRONMENT   FILM  | Iron   is Hot (English) | Producer:   Meghnath Bhattacharjee Director   :  Biju   Toppo and Meghnath Bhattacharjee | RAJAT  Kamal Rs   50,000/- each  | The   film is well documented with a forthright exposition of the grievous impact   of pollution due to sponge iron industry on the inhabitants dwelling around   that area. With clarity and veracity, the film maker is able to express   empathy and concern on the acute prevailing problem over human existence. | 
| 9 | BEST   FILM ON SOCIAL ISSUES  | Understanding   Trafficking (Bengali,   Hindi & English) | Producer:    Cinemawoman Director   :  Ananya   Chakraborti | RAJAT  Kamal Rs   50,000/- each | To cross the line of limit, becomes an issue of   indifference. Along this line, the documentary projects the serious social   issue of human trafficking in a very thought provoking manner through stark   and gravitating images. It airs an intriguing atmosphere of concerns through   dramatized and realistic imageries. | 
| 10 | BEST   EDUCATIONAL FILM | Advaitham    (Telugu) | Producer:    K.   Vijaypal Reddy Director   :  Pradeep   Maadugula | RAJAT  Kamal Rs   50,000/- each | The documentary exposes the human apathy of class   difference through casteism in a very evoking and natural style. Through   fun-filled situations and distressing moments, the director portrays the   anguished and tragic aspects of casteism effecting human value and  relationship. | 
| 11 | BEST   FILM ON SPORTS | Boxing   Ladies (Hindi) | Producer:    Satyajit   Ray Film & Television Institute, Kolkata Director   :  Anusha   Nandakumar | RAJAT  Kamal Rs   50,000/- each | A sensitive portrayal of young aspiring talents   in a country where sports as passion/ profession comes up against heavy   social odds and family biases. The jury applauds the film for the restrained   and elevating treatment of a crucial subject underlining the silent dignity   of the characters involved. | 
| 12 | BEST   INVESTIGATIVE FILM | A   Pestering Journey (Malayalam,   Punjabi, Hindi, English & Tulu) | Producer:    Ranjini   Krishnan Director   :  K.   R. Manoj | RAJAT  Kamal Rs   50,000/- each | The pet detective in a reverse act, an emotive   documentary exposing not only stories of cruel impact of pest control on   human health but also arrests out attention to a more fundamental question –   who is a pest ? | 
| 13 | SPECIAL   JURY AWARD | Kabira   Khada Bazaar Mein (Hindi) | Producer:    Srishti   School of Art, Design & Technology, Bangalore Director   :  Shabnam   Virmani | RAJAT  Kamal Rs   1,00,000/- each | An   insightful film that introduces us to the various cults that have grown   around Kabir, the mystic weaver and saint. It explores the nuances of India’s   argumentative tradition as exemplified by Kabir’s dohas and traces the   eventful journey of one man caught in an Orwellion dilemma as he is elevated   to the status of a cult leader, torn between the inevitable trappings of   hierarchy that run paradoxical to the simple philosophy of Kabir. | 
| 14 | SHORT   FICTION FILM | Kal   15 August Dukan Band Rahegi (Hindi) | Producer:   Film & Television Institute of India, Pune Director   :  Prateek   Vats | RAJAT  Kamal Rs   50,000/- each | With energy and vigour, the documentary records   very interesting images of a group of young students, who are trying to   relate, with ideology of freedom and the stifling authoritarian reality. In   the process, the life is entangled with intrigues and doubts. | 
| 15 | BEST   FILM ON FAMILY VALUES | Love   in India (Bengali   & English) | Producer:   Overdose Director   :  Kaushik   Mukherjee | RAJAT  Kamal Rs   50,000/- each  | Explores and deconstructs the traditional and   orthodox landscapes of love, sexuality and conjugal relationships and the   dynamics of emerging sexual politics and value systems in contemporary India   with clarity and insight laced with subtle humour. | 
| 16 | BEST   DIRECTION | Shyam   Raat Seher (Hindi   & Engish) | Director   : Arunima Sharma | Swarna   Kamal Rs   1,50,000/-each  | Intelligent   articulation of a shared urban angst in a powerful cinematic style and well   constructed mise-en-scene.  The   maturity of the director is reflected in the balanced approach to all the   elements that blend to create an impression in the viewers mind. | 
| 17 | BEST   CINEMATOGRAPHY | Shyam   Raat Seher (Hindi   & English) | Cameraman:    Murali   G.  Laboratory   :  Film   Lab | RAJAT  Kamal Rs   50,000/- each | Imaginative yet   minimal, a balanced and evocative cinematography creates a character out of a   city night atmosphere, setting the space and mood for the living characters   in their journey beyond the real, nearing mythical. | 
| 18 | BEST   AUDIOGRAPHY | A   Pestering Journey (Malayalam,   Punjabi, Hindi English & Tulu) | Re-recordist   (final mixed track) : Harikumar  Madhavan Nair | RAJAT  Kamal Rs   50,000/- each | Does one hear   the cry of the pest? In between the sound of the real and evoking music, the   ensuing silence tells us the stories beyond. | 
| 19 | BEST   EDITING | Germ (Hindi) | Editor   : Tinni Mitra | RAJAT  Kamal Rs   50,000/- each | The abstract visualization and endearing black   &white tones are very effectively punctuated with fine editing, and in the   process it maintains a very subtle and flowing rhythm and pace to carry   forward the cinematic work.  | 
| 20 | BEST   NARRATION (for Writing the Narration)  | Johar   : Welcome to Our World (Hindi & English) | Nilanjan   Bhattacharya | RAJAT  Kamal Rs   50,000/- each  | A seamless   powerful narrative about the symbiotic intricate relationship, the tribals of   Jharkhand have with their forests and their struggle for existence against   mindless aggressive development and flawed conservation policies, told with empathy   and sincerity. | 
| 21 | Special   Mention | a.   Ottayal (One Woman Alone) (   Malayalam)  b.   The Zeliangrongs (Manipuri   & English)  c.   Pistulya (Marathi   & Telugu) | a.   Director:  Shiny   Jacob Benjamin b.   Director Ronel   Haobam c.   Child Artist: Suraj Pawar | a. It is a heart warming portrayal of the woman   Dayabai, who trades along a challenging path in quest of truth. The director,   delves into the spirit of the woman to understand the theology of liberation,   with sincerity and intelligence. b. It is a well researched endeavour to reflect a   composite group of ethnic communities of common origin and socio-cultural   back-ground, which highlights the rich cultural heritage and the tribes’   traditional way of life, which is on the brink of extinction.  c. Under distressing situation and harsh reality,   Pistulya, the child protagonist, displays the authenticity with vibrant and   emotive expression. | 
58th NATIONAL FILM AWARDS FOR THE YEAR 2010
BEST WRITING ON CINEMA
| S. No.  | Name of Award | Name of Book  | Awardee | Medal | Citation | 
| 1. | BEST   BOOK ON CINEMA   | From   Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films   of the Twentieth Century  (English) | Publisher : Seagull Books Author:  Vijaya   Mulay | Swarna   Kamal Rs   75,000 | Here is a work of   rigorous film scholarship which took the author to many lands and consumed   many years of her life. Written in a clear lucid style, the book evokes a   panoramic view of India that perhaps was through the eyes of several   filmmakers of foreign origin. What adds an extra dimension to the book is the   author’s narration of her own life in films even as she is engaged in telling   the larger events on and off screen. | 
| 2. | SPECIAL   MENTION  | 1.   Cinema Bhojpuri  (English) 2.   Thiraicheelai (Tamil) | Publisher : Penguin Books India Ltd Author : Avijit Ghosh Publisher : Trisakti Sundar Raman Author : Oviyar Jeeva | Certificate | 1. Often dismissed as a   poor cousin of mainstream Hindi cinema, Bhojpuri cinema, however has many   interesting cultural strains that Avijit Ghosh has laid bare. Any one   conversant with life in North Bihar and East Uttar Pradesh, or in many lands   far beyond, would recognize the importance of this ‘subaltern’ effort.   2. This book is a   sincere attempt to analyse important developments in Tamil films. It also   provides an insight into the classics of world cinema, highlighting their   aesthetic values. | 
| 3 | BEST   FILM CRITIC   | Joshy   Joseph (English) and N.   Manu Chakravarthy (Kannada & English) | Swarna   Kamal Rs   37,500 Swarna   Kamal Rs   37,500 | Joshy Joseph,   essentially a filmmaker, proves to be an important critic as well, as he goes   about writing on the most serious aspects of medium with wry humour and a   lightness of touch that is difficult not to notice. His commitment to the   documentary in particular sets him apart from many of those writing on cinema   in this country. Professor Chakravarthy’s   writings on film and related arts are replete with profound insights into the   human condition as well as the need for serious discourse on socio-cultural   matters. His writings reveal the authority with which he can discuss the   cinemas of the world, particularly his own Kannada cinema. | 
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(Release ID :72204)
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